Produktionslogiken ästhetischer Erfahrung

Die Kunstvermittlungspraxis der Internationalen Konzertdirektion Ernst Krauss in Amsterdam 1928–1957 Markus Schlaffke In the 1920s and 1930s, the company of the German poet and impresario Ernst Krauss (1887–1958) played a key role in the production and promotion of contem-porary international dance projects in Europe. Krauss worked on the basis of a ro-mantic poetology as an critical perspective towards modernity and thus developed a specific concept of aesthetic experience. In this paper I trace a distinctive transfer of religious and aesthetic experiences between Asia and Europe in the performative arts at the beginning of the 20th century, based on the literary work and practice of Ernst Krauss’s company.

Schlaffke, Markus (2020). Produktionslogiken ästhetischer Erfahrung. Die Kunstvermittlungspraxis der Internationalen Konzertdirektion Ernst Krauss in Amsterdam 1928–1957. In: Isabella Schwaderer/Katharina Waldner/, Annäherungen an das Unaussprechliche (199-224). Bielefeld: transcript Verlag. https://doi.org/10.14361/9783839447253-009

Book DOI: https://doi.org/10.14361/9783839447253

Online ISBN: 978-3-8394-4725-3

https://www.transcript-verlag.de/978-3-8376-4725-9/annaeherungen-an-das-unaussprechliche/